Bad Reputation
  • Megan Plunkett, The Landman 02, 2015, Collaboration with Barbara Ess, laser print on paper, 11 x 17 inches
  • Megan Plunkett, Tombstone Shadow, Shadow on my back 01, 2015, inkjet print on glossy paper, framed, 28 x 32 inches
  • Megan Plunkett, Tombstone Shadow, Shadow on my back 02, 2015, inkjet print on glossy paper, framed, 28 x 32 inches
  • Megan Plunkett, I Can See to the Way I'm God Damn Able 02 , 2016, inkjet, 45 X 30 inches (114.3 x 76.2 cm)
  • Megan Plunkett, I CAN SEE TO THE WAY I'M GOD DAMN ABLE/SUBIACO/THE BRAVE DOG, 2016, exhibition view
    Bad Reputation, Los Angeles
  • Megan Plunkett, The Brave Dog, 2016, inkjet, 45 X 30 inches (114.3 x 76.2 cm)
  • Megan Plunkett, Subiaco, 2016, inkjet, 45 X 30 inches (114.3 x 76.2 cm)
  • Megan Plunkett, Subiaco 02, 2016, inkjet print on glossy paper, 30 x 45 inches
  • Megan Plunkett, Subiaco 03, 2016, inkjet print on glossy paper, 30 x 45 inches
  • Megan Plunkett, Semi-Detached 02, 2016. Digital print on paper, Plexiglas, frame, wood, hardware. 35 x 55 inches
  • Megan Plunkett, Semi-Detached 02, 2016. Digital print on paper, Plexiglas, frame, wood, hardware. 35 x 55 inches
    The Garden of Forking Paths, Magenta Plains, New York, NY; curated by Adam Marnie
  • Megan Plunkett, How Much Do You Need 04, 2016, digital print on paper, 55 x 26 inches
  • Megan Plunkett, How Do People Travel About in the Town Below/Coach/Coach? Aside from Walking/Horse/02/03, 2017 Digital prints on glossy paper, aluminum frames, automotive paint, hardware, plexiglass 36 x 55 in, exhibition view, Tar Pits, Redling Fine Art, 2017